Art

Mary Beard Interviewed by Nick Higham

Twelve Caesars: Images of Power from the Ancient World to the Modern
Sheldonian Theatre 4:00pm Wed 6 Wednesday, 6 October 2021 See this event
Martin Kemp

Visions of Heaven: Dante and the Art of Divine Light
Oxford Martin School: Lecture Theatre 10:00am Sat 30 Saturday, 30 October 2021 See this event
John Holmes

Temple of Science: The Pre-Raphaelites and Oxford University Museum of Natural History
Weston Lecture Theatre 10:00am Sun 31 Sunday, 31 October 2021 See this event
Loyd Grossman

An Elephant In Rome: Bernini, The Pope, And The Making Of The Eternal City
Oxford Martin School: Lecture Theatre 12:00pm Sun 31 Sunday, 31 October 2021 See this event
Ian Collins

John Craxton: A Life of Gifts
Weston Lecture Theatre 2:00pm Sat 6 Saturday, 6 November 2021 See this event
Arthur Miller

Machines that Make Art, Improvise Music and Write Film Scripts
Oxford Martin School: Lecture Theatre 12:00pm Sun 7 Nov Sunday, 7 November 2021 See this event

Festival information:

Every literary festival stays in an author’s mind for slightly individual reasons. I shall remember the Oxford festival for: - the size of the audience: at the top end of the range - their intelligence – this makes a huge difference for a speaker. In the Oxford audience I encountered many experts in the field my book covered and even one of the ambassadors I’d quoted - the beauty and the grace of the place itself – incomparable - the willingness of my hearers to buy books afterwards; I’ve never sold more.

It was a privilege for me to visit the festival to receive the Bodley Medal. As an incidental blessing I saw Oxford at its most mysterious and atmospheric. It was a day of piercing cold and as I walked through the twilight from the Sheldonian to Christ Church, the streets were empty and the whole city was shutting itself away. Christ Church was silent except for the footfall of unseen persons around corners and the sounds of evensong creeping from behind closed doors. For the first time I understood thoroughly the power of college ghost stories.

I came away buzzing and reassured that we still have in this century a wide ranging community fascinated not just by famous authors (I’ve rarely seen so many concentrated in one place) but by challenging ideas and questions.

The Oxford festival is the most elegant and atmospheric of literary festivals. It’s a pleasure to both attend and perform there.

Often as an author, I only occasionally get to meet the public who buy and read my books. The Oxford Literary Festival was a special opportunity for me and certainly one of the highlights of my career – it was an honour I will never forget.

I loved the whole atmosphere of the Oxford Literary Festival. From breakfast, alongside some of the attendees, who were talking books with each other a mile a minute, to the public event at The Sheldonian where everyone was lively and engaged – I felt I had arrived in a kind of literary heaven.

The Oxford Literary Festival has in my mind become the leading literary festival of the year. The organisation, the roster of speakers, the ambience and the sheer quality of it all is superb. May it now go from strength to strength each year stretching its ambition more and more. I believe it will.

A stimulating and rewarding on-stage conversation; a lively informed and tolerant audience; privileged access to the great treasures of the Bodleian, and finally, wonderfully interesting dinner companions to help me conclude the best day I have enjoyed at any festival – anywhere.